Saturday, January 30, 2010

Inking LOLA: A Ghost Story

LOLA: A Ghost Story, written by J. Torres and pencilled by Elbert Or, is currently now available in hardcover from Sputnik Comics, Druid’s Keep, Comic Odyssey, Planet X and Fully Booked.

I did some inks here and there for the book and my studio Robo Monkey Pixel Fighters (RMPF) did some of the grayscale (some of Elbert’s students took some of the pages in an effort to meet the deadline). It was certainly an interesting project and a delight to help illuminate J. Torres’s story, especially one such as this that highlight Philippine culture and belief systems and spins it into one entertaining yarn.

I hope that we see more of these kinds of stories in the future.

There have been a lot of kind words online on the book and the illustration. In behalf of RMPF, especially Neil Amiel Cervantes and Katrina Mae Hao who did the grayscaling, we’d like to say thank you by giving you guys out there a sneak peek into how a LOLA page gets produced.

Let’s begin!

The Pencils

Elbert typically sends the pencils to me online in a 300 dpi, PSD format file.

I prefer to ink via traditional methods so the first order of the day is to convert Elbert’s lines into blue.

I do this to allow me to erase the blue lines digitally in Photoshop later, after I’ve inked over it.

This blue line version will now be printed out on a specialty board I buy that I used specifically for inking works.

With Elbert’s pencils I don’t go immediately to inks.

I spend some time figuring out the intent for a particular page via a script I was provided with. After that I spend some time with a blue Prismacolor pencil adding elements which I feel will help in the storytelling, add shadows to help push create the mood and ambience the scene needs, and correct some details in the art.

It is only after accomplishing this that I start inking over the blue lines.

The Inks

Most people probably think of inkers as tracers, content to follow the penciller’s lines and not figuring prominently in the art process.

It’s a common misconception by people not familiar with the comic book production process.

A bad inker can easily ruin great pencils so it is always in the best interest of an art team to get a good inker.

I use different tools for different inking projects.

In the case of LOLA, I used a Sakura brush, Chinese ink, Prismacolor blue pencils, UNI Pin technical pens of varying points, a felt tip pen, and a bunch of rulers, French curves, erasers, and a bottle of correction fluid (an inker’s best friend).

The finished product looks a bit something like this.

At this point, I turn over the page to Neil Amiel Cervantes or Katrina Mae Hao for scanning and cleanup.

They begin by taking out the blue lines, taking out the smudges and dirt found all over the page, and making sure that the white are crisp and the blacks…well, black. They check with me on the cleaned up line art and I go over it to see if we missed anything.

Once that’s done, I give them the go signal to start the grayscaling process.

The Grayscale

The original mandate for the book was to produce it in grayscale.

It was only when promotions and solicitations for the graphic novel came out did I find out that it was converted into sepia. Consequently, some of the intended effects that were clear on grayscale were lost in sepia mode but I’m hoping the readers would still like it nevertheless.

The guys used a combination of cell-shading and airbrushing techniques to great effect.

After adding grayscale, we go over the page again for a final check and then we e-mail it back to Elbert who will send it to ONI Press for lettering and whatever else that needs to be added.

Overview

Click on the image below to see the entire process

LOLA: A Ghost Story

Story by J. Torres
Pencils by Elbert Or
Inks by Jonas Diego and Elbert Or (with assists from some of Elbert's students)
Grayscale by Robo Monkey Pixel Fighters' (RMPF) Neil Amiel Cervantes and Katrina Mae Hao

Go buy our book now!

Wednesday, January 27, 2010

Find some GOOD stuff!

Most of the time, we tend to pay more attention to the bad than the good for the simple reason that most bad stuff tends to be more news worthy than the good stuff.

The same is true in our daily lives.

We tend to make quite a fuss over the negative things we encounter but we seem to conveniently neglect the positive. It’s no wonder that less and less people want to do the right thing nowadays: there’s no positive reinforcement and increasingly doing the right thing gets you into trouble. The bad thing about this is that, over time, we tend to accentuate the negative over the positive which severely impacts our personal outlook and happiness.

Let’s help give good a little push shall we? God knows we can all use a bit more goodness these days.

Starting today let’s all make it a point to notice something good about something or someone. Make it a point to tell the world about it via your social networks (if it’s a someone, make sure you tell that someone personally as well). Make sure to do it everyday without fail. If you can, post a little note somewhere you’re sure to see it, the words “find something good today” so you won’t forget.

If truly you can’t find one good thing to write about in a day, walk up to a total stranger, greet him/her a good day, and smile.

If you couldn’t find something good then at least you’ve done something good.

Wednesday, January 20, 2010

Sunday, January 17, 2010

KOMIKSTRIP Teaser!


KOMIKSTRIP: The First UPLB Comic Book Convention is presented by the UP BUGKOS and JONASDIEGO.COM in cooperation with the Graphic Literature Guild.

Click here for more information! Click here to sign up at our Facebook event page!

Friday, January 15, 2010

CHEAP Tables at the KOMIKSTRIP for COMIC BOOK CREATORS!

 I know what you’re thinking.

You’re thinking that while you wanna sell your indies, toys, and merchandize at the KOMIKSTRIP you probably won’t be able to afford the exhibitor’s fee and get a table. Those tables are more affordable than you think.

Each table measuring 1 meter X 1 meter is going for only Php 500.00!

Yes, that’s right. That’s not a typo: Php 500.00!

Better hurry though because we’ve been getting a lot of inquiries and the tables are starting to go one by one. You can check what’s still up for grabs here.

Send us an email over at admin (AT) jonasdiego.com and Johnny (AT) jonasdiego.com for more details or visit us at the KOMIKSTRIP Official Website.

Wednesday, January 13, 2010

That's OK!

Some people have great missions and ambitions that they need to fulfil before they die. Some people are content to have a 9 to 5 job and live from day to day, never worrying about what tomorrow may bring.

You know what? That’s both okay.

Tuesday, January 12, 2010

KOMIKSTRIP Sponsors and Comic Book Sellers!

Come to the KOMIKSTRIP: The First UPLB Comic Book Convention!

We’re currently in the process of accepting inquiries for sponsorship and exhibitor packages.

We are expecting quite a turn out for this event. Aside from special guests (Manix Abrera, Gerry Alanguilan, and Carlo Vergara to name a few), a comic book making/body painting contest, it’s also going to be the week of the Feb Fair.

Plenty of foot traffic so take note potential sponsors.

We also have affordable tables for indie creators so this is also a great opportunity for those who want to sell their indies to make a killing.

For interested parties please get in touch with me at admin (AT) jonasdiego.com.

Monday, January 11, 2010

Punta na sa KOMIKSTRIP!

I would like to invite everyone to KOMIKSTRIP: The First UPLB Comic Book Convention happening this February 13, 2010 at the new CAS Annex 2 in UPLB, Laguna. The event is presented by the UP BUGKOS and JONASDIEGO.COM in cooperation with the Graphic Literature Guild.


For more information click here.